呈贡花灯戏剧元素在现代饰品设计中的创新应用
摘 要：众所周知，花灯戏剧可以说是云南这片大地上最受广大人民群众欢迎的艺术形式之一，而云南花灯戏剧也构成了云南灿烂多彩的地域文化。呈贡花灯凭借其独有的魅力和旺盛的生命力得以存活下来并流传至今，在呈贡地区有着极为广泛的群众基础。但是呈贡花灯戏剧大都取材于乡村文化，且观众大多为中老年人，如何吸引现代的年轻人，更好的传承与发扬这一戏剧文化，是当前迫切需要的。本文试图探索呈贡花灯戏元素与现代年轻人更偏向的现代饰品相结合，将存在于舞台上、视觉上的花灯戏剧实体化、饰品化，把花灯戏剧中的道具元素、色彩元素、舞台效果提炼出来，融入到现代饰品当中去，更好的去展现呈贡花灯戏剧的魅力，让花灯戏剧文化不断焕发新的活力。
关键词：呈贡；花灯戏剧元素；现代饰品；创新
中图分类号：TB472 文献标识码：A
文章编码：1672-7053(2020)01-0124-02
Abstract：As we all know, the lantern festival is one of the most popular art forms on the land of Yunnan, and the Yunnan lantern festival also constitutes Yunnan's splendid and colorful regional culture. The Chenggong lantern has survived and passed down by virtue of its unique charm and strong vitality, and has a very broad mass base in Chenggong area. However, most of the Chenggong lantern lanterns are based on rural culture, and most of the audience are middle-aged and elderly. How to attract modern young people, better inheritance and development of this drama culture, is the current product urgent need. This article attempts to explore the combination of the elements of Chenggong lantern show with the modern accessories that are more favored by modern young people, to materialize and decorate the lantern show that exists on the stage and visually, and to use the prop elements, color elements and stage effects in the lantern show. Refined, grafted into modern jewelry, to better show the charm of Chenggong lantern festival, so that it continues to renew its vitality.
Key Words：Chenggong; Lantern drama elements; Modern jewelry; Innovation
