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2020-03期

民国时期美术字体的“摩登”研究

单位:江苏师范大学...     作者:赵蕾     来源:工业设计杂志     时间:2020-03-23

摘 要:民国时期的美术字是在特定的文化语境下形成与发展起来的,此时的文化受到西方文化的影响,呈现出中西结合的新样式,使民国美术字出现了独特的摩登符号意向。一面是西式的主题与观看的审美方式,一面是东方的装饰性图案、色彩及其着色方式。本文通过对民国时期美术字体 “摩登”意味的形成、艺术特征和表现方式进行梳理,进而分析出民国时期美术字体在装饰变化、构成主义形式和字体图案化等方面的造型特征,为商业美术字的发展及演变提供一定的研究基础条件。

关键词:民国时期;美术字体;摩登


中图分类号:J524 文献标识码:A

文章编码:1672-7053(2020)03-0146-02


Abstract:the republic of China era, calligraphy was formed and developed in a specific cultural context. At that time, the culture was influenced by western culture and presented a new style of combining Chinese and western cultures, which made the calligraphy of the republic of China era appear a unique modern symbol intention. On one side is the western theme and the aesthetic way of viewing, on the other side is the decorative pattern, color and its coloring way of the east. This article through to the period of the republic of China era art fonts, the formation of the "modern" meaning, characteristics and performance art manner, a further analysis during the period of the republic of China era art fonts in adornment, constructivism form and font design modelling characteristics of etc., for the development of commercial calligraphy for certain research foundation conditions.

Key Words:the republic of China era; Art fonts; modern