透过奥拉维尔·埃利亚松的装置作品看当代设计趋势
摘 要：丹麦艺术家埃利亚松，从关注科技与视觉美结合的可能性入手，进行一系列的装置艺术实验，从而获得对大自然魅力的重新发现；并结合梅洛·庞帝的知觉现象学，对理性下定义的思维方式进行批判，高度重视感性感知，让世界重现他“不透明性”的神秘魅力；他的装置艺术作品对当代设计的设计方法论有重大的启发性作用，为当代设计发展方向点亮灯塔。
关键词：感性的反抗；大自然的复魅；沉浸式体验；设计方法论
中图分类号：J11 文献标识码：A
文章编码：1672-7053(2017)09-0095-02
Abstract：Danish artist Eliasson, starting from the possibility of the combination of technology and art are concerned, a series of experimental art installations, so as to obtain a redefinition of the nature of the charm; and combining the perceptual phenomenon Maurice Merleau-Ponty, the definition of rational mode of thinking under the criticize, attaches great importance to a sense of perception, he let the world return "the mysterious charm of opacity"; design method of his installation art works to the contemporary design theory has great enlightening role for the contemporary design’s development.
Key Words：emotional resistance; nature complex charm; immersive experience; design methodology
