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2018-01期

魏晋南北朝青瓷翼狮形象考略

作者:郜晓丹 黄宁馨     来源:工业设计杂志     时间:2018-01-26

摘 要:魏晋南北朝时期的青瓷翼狮是匠师独具匠心创造出来的神兽,翼兽的出现早至原始社会,荒芜坤轴,发展至魏晋的翼兽多为翼狮,小到生活用品,大至皇陵镇墓兽。环观中亚、西亚、欧洲、非洲以及中东,翼狮自入土中原,取收阴阳五行、蓬莱神话、先秦民俗文化、道、儒两大家以及楚文化的浸润,在不同民族、不同文化交流展示下,飞翼神兽无不表达出对引导登仙、祈祥化邪的崇敬。青瓷翼狮烛台和青瓷翼狮虎子在神兽家族链中的首次出现是在三国,在东晋时已不多见,虽在魏晋时期使用比较普遍且数量多,但以往相关方面的文章中,往往忽略对青瓷翼狮作详细的考究,多是在介绍飞翼神兽中简单叙述。本文旨在万取一收,从发展来由、影响因素到美学赏析,对魏晋南北朝青瓷翼狮做个不明白到明白的考证。

关键词:西晋;青瓷翼狮;南方;翅膀;概念


中图分类号:TQ174.74 文献标识码:A

文章编码:1672-7053(2018)01-0102-02


Abstract:The blue porcelain winged lion in the Wei Jin Northern and Southern dynasties was the original creation of the craftsman,the appearance of winged beasts was early to primitive society,barren of shaft,most of the winged beasts of the Wei and Jin dynasties were winged lions,from small household items, to the guard beasts imperial tomb .Looking far and wide from Central Asia, West Asia, Europe, Africa to the Middle East,the winged lion has been came into the central plains, and it has been absorbed by the five elements of Yin and Yang, Penglai myth, the Pre-Qin Period folk culture, Taoism and Confucianism, as well as the Chu culture,under the different ethnic groups and cultural exchanges,All of the winged beasts express their reverence for guiding to the immortal、praying for lucky and avoid the evil.The first appearance of the winged lions is in the three Kingdoms,it was rare in the eastern Jin Dynasty,although it was widely used and much more in quantity in the Wei and Jin Dynasties,But in the past related articles, the blue winged lions were often ignored in details,rather than were introduced in the winged beasts briefly.The purpose of this article is to take a harvest, from the origin of the development, the influence factors to the aesthetic appreciation, and to make a clear textual research on the blue winged lion of the Wei Jin and the Northern and Southern Dynasties.

Key Words:the Western Jin; Dynasty blue winged lions; south; wing; conception