现代漆立体创作的幽玄情结
摘 要：日本民族将幽玄美学传播至世界各地，然“幽玄”一词实则师出中国，日本民族从中摄取并融合独特的民族意识后提炼而成，继而应用在生活、文学、艺术等各个方面，对日本传统工艺，尤其是漆艺也深有濡染。中国曾是漆器大国，却在漫长的岁月流逝中走向衰弱,在工艺复兴大潮下，漆艺从衰弱走向振兴，但面临着如何实现传统材质与当代审美理念相平衡的问题。日本在现代化造型革新的同时保持民族色彩，重视传统文化，将自身民族文化积淀融入漆艺创作中，成就了今天日本漆艺创作独有的审美面貌，影响了包括中国在内周边国家的漆艺创作。
关键词：幽玄美学；漆艺创作
中图分类号：TB472 文献标识码：A
文章编码：1672-7053(2018)05-0086-02
Abstract：The Japanese people spread the aesthetics of seclusion to all parts of the world,However, the word "seclusion" actually came out of China, and the Japanese nation was extracted from the unique national consciousness and then applied to life, literature, art and so on, which also deeply affected the traditional Japanese craft, especially the lacquer art.China, once a large country of lacquer ware, has been weakening in the course of the long years.Under the tide of technological rejuvenation, lacquer art has changed from weakness to rejuvenation, but it is faced with the problem of how to balance traditional materials with contemporary aesthetic ideas.Japan maintains its national color while modernizing and innovating, attaches importance to traditional culture, and integrates its own national culture into lacquer art creation, thus achieving the unique aesthetic outlook of today's Japanese lacquer art creation.Has affected the lacquer art creation of the peripheral countries including China.
Key Words：Metaphysical aesthetics; Lacquer creation
