“水”的仿生形态在陶瓷器皿设计中的应用
摘 要：陶瓷是人类文明史上最早出现的一种艺术形态，这种形态是所有艺术门类中最单纯和最简洁的，同时它所具有的神秘与抽象性是无法比拟的。人类对自然的感知和掌握经历了数十万年乃至上百万年的历程，从陶瓷器皿出现的时候，人们就已经开始模仿自然界中的形态，从原始陶器上的水波纹、鱼纹、鸟纹等等，到了彩陶艺术花开盛茂的时代，人们模仿的不仅是抽象的图纹，也出现不少模仿动物造型的器皿，其精神性、象征性都大于实用性。器物纹饰的演变更多的体现了造型艺术语言的发展，从装饰到后期现代陶艺的造型上，无一不是从自然界中，通过夸张和抽象的简化，让造型与图案装饰相互结合起来，而仿生学在这种人类与自然的相协调中诞生，逐步的被大家所认可，而仿生设计是仿生学与艺术设计相结合的边缘性交叉学科，也是二十一世纪初人类科学发展的新方向和新成果。
关键词：陶瓷；水；仿生设计
中图分类号：TB472 文献标识码：A
文章编码：1672-7053(2018)06-0018-02
Abstract：Ceramics is an earliest artistic formation appeared in the history of human civilization, and this formation is the simplest and tersest among all the artistic categories, and at the same time, its mystery and abstraction are incomparable. The human’s perception and mastery of nature has taken a course of several hundred thousand years and even one million years. When the ceramic ware appeared, the people began to imitate the forms in the nature. From the water ripple pattern, fish pattern, bird pattern, etc. on the primitive pottery to the times in which the flowers of art of painted pottery were in full bloom, the people imitated not only the abstract pattern but also the animal shapes on the ceramic ware, and their power of expression in the spirit and symbolicalness was far beyond their practicality. The evolution of the decorative pattern on the utensils embodies the development of language of plastic arts. From the decoration to the shape of modern ceramic art in the later stage, all of them come from the nature and successfully combine the shape with the pattern decoration by the hyperbole and abstract simplification. The bionics comes into being in such coordination between the mankind and nature and obtains the acceptance of the people gradually. The bionic design is an interdisciplinary subject combining the bionics with the art design and also is the new direction and new achievement of human science development at the beginning of 21st century.Key Words：Ceramics; Water; The bionic design
