“肖像学”视角下的韦陀造像艺术设计解读
摘 要：本文以“肖像学”（Iconography）研究方法对中国传统彩绘泥塑韦陀造像进行解读，以艺术史的语境探讨艺术品的“本真”与“再造”，通过有机境遇（organic situation）思考历史遗迹中的韦陀造像，揭示出作者创作的原本意图与观者审美的经验主义、原作与历史遗迹的矛盾性，指出历史上的艺术品不仅是工匠或艺术家的智慧与创造，同时也是历史与自然的塑造、历代观者的经验改造。
关键词：图像学；肖像学；图像志；韦陀造像
中图分类号：J0 文献标识码：A
文章编码：1672-7053(2018)09-0104-04
Abstract：In this paper, the traditional painted clay figure of WeiTuo statues in China is interpreted with the method of "iconography".In the context of art history, "authenticity" and "reconstruction" of artworks are discussed.Thinking about WeiTuo statues in historical sites through organic situation,and reveals the contradiction between the original intention of the author's creation and the empiricism of the viewer's aesthetics, the original work and the historical relics.This article points out that art works in history are not only the wisdom and creation of craftsmen or artists, but also the shaping of history and nature and the experience transformation of viewers in the past dynasties.
Key Words： iconology; iconography; image; WeiTuo statues
