概念书籍设计探索——以《无声胜有声》为例
摘 要：概念书籍以传统书籍为基础，以独特的形式为载体，全方位的传播并充分的调动人的五感，解绑人们对传统书籍的理解，同时解绑人们对纸质书在创意上和表达上的束缚，得到读者的认同和共鸣。通过用亚克力的材料与一种特殊语言的手语进行结合，运用灯光在墙上投射出手语的影子，并在空间中呈现，实现墙面与亚克力板之间的交流，健全人和聋哑人能进行无障碍沟通，可以成为朋友。概念书籍在所呈现的形态、色彩、材质、形式等方面都体现着所要表达的内容，是对印刷，工艺的理解和形态书籍的突破。概念书籍能够更好更直观的表达内容，通过概念书籍来引起人们对特殊人群的关爱。
关键词：概念书籍；手语；互动；空间时间
中图分类号：TB472 文献标识码：A
文章编码：1672-7053(2019)07-0072-02
Abstract：Concept books are based on traditional books and use unique forms as carriers. They fully mobilize people's five senses in an all-round way, untie people's understanding of traditional books, and untie people's creative and expressive constraints on paper books. It is recognized and resonated by readers. Through the combination of acrylic materials and sign language as a special language, the use of light to project sign language shadows on the wall and present them in space, realizing the communication between the wall and the acrylic plate, which means that the sound person and the deaf person can communicate without hindrance. You can be friends. Conceptual books embody the content to be expressed in terms of form, color, material, and form. They are breakthroughs in printing, process understanding, and form books. Concept books can express the content better and more intuitively. Through concept books, people can care for special people.
Key Words：Concept Books; sign language; Interaction; Space time
